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Vielschichtige Gitarren-, Synthie- und Beatkomposition, die großen Spielraum für Interpretation lässt.
Dramatic trumpet, choir and orchestra in the spaghetti-western style. Percussive and tense.
Background music track with a nerve, a certain element of mystery and a sense of passing time. Highly suitable for game shows, trivia or quiz games, puzzle games, problem solving etc. Keeps a fairly low key, so it doesn't get to intrusive or stressful, even after repeated plays.
fast, heavy, high adrenaline, straight for the jugular, metal bruiser. great energy, motivation & relentless momentum. would suit extreme sports,action,thriller,documentary projects.. or for that full-on weights work-out in the gym
Erinnerungen an die gute alte Zeit werden wach. Einfühlsame, liebliche und bezaubernde Spieluhr Sequenz für sehnsuchtsvolle Bilder und Rückblicke.
A military march for Snares, Field Drums and Bass Drums. The army is marching to war. Good for a civil war scene.
Dance electro-house..130 bpm.Energetic dance.Electronic perccussion.Synthesizers & Teen/Pop sound,Action movie or in a dancefloor club.
Dark, ominous, gutsy, edgy, brooding rock music with a great driving, rolling tom beat that explodes into life. Dynamic, epic, determined, intense, sinister, powerful, glorious, disturbed & insistent music that would suit extreme sports / action / combat / cinematic projects. Not for the faint of heart.
Endfanfare für TV-Show aus den 1970ern Jahren
progressiv, zuversichtlich
Ein Hauch von Fröhlichkeit und Unbeschwertheit. Heiter bis flockig.
An easy listening Pop/Indie Rock track, A somewhat reminiscent feel surrounds this song, making you think of fond memories with friends and family, Happy and care free days, fun and frolicking, party, dancing etc,
Jump back in time with this up-tempo, retro electro, 1980’s synthpop track that has an infectious and fun, party time vibe. With authentic synthesizer sounds and drum machine beats. Good for eighties flashback, dance club, fashion, catwalk and more.
Retro PacMan Soundtrack
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.