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3793 tracks
1823 Gemafreie Musiktitel
1970 (GEMA-Repertoire)
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Alle Rechte vorbehalten. Kein Einsatz ohne vorherige Lizenzierung. Bitte seien Sie fair. Danke!
Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.
One of the most famous pieces of music for solo piano. Despite having the instruction, 'Lent et douloureux', (slow and painfully), this track is referred to for calm, relaxing and meditative purposes. Atmospheric and ambient.
Slow and grave, ('Lent et grave'), the third Gymnopedie is perhaps the most heartbreaking. The whole ambience is punctuated by mournful melodies that have become so popular in modern productions.
The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
A piano solo that starts peacefully and delicately before rising to an emotional crescendo, then dropping back to a serene finish. An atmospheric piece that showcases Chopin's mastery of the piano.
Hi-End Trailer Soundtrack für Action/Thriller/Horror-Szenen, hochwertiges Sound-Design und fesselnde Impacts bauen sich mehr und mehr auf zu einem brachialen Action-Metal-Thema, bei dem niemand mehr still sitzen bleibt.
weich, entspannt, locker
Light and calm, this is a wonderful track for tender moments, romance, weddings, sentimental nostalgia and background music .This familiar piano solo by J.S.Bach is from the first book of 'The Well Tempered Clavier'.
The tempo instruction on the score is 'molto vivace', (very lively), and it certainly is swift and joyous. A very famous piece which is used as the theme for the hugely popular BBC radio show 'Just A Minute'.
The second Gnossienne has the instruction, 'avec ?tonnement', (with astonishment), to instruct the player to play slightly faster than the other two pieces. Still has lots of space and freedom of expression.
Komplettes Orchester mit: Glockenspiel, Klavier, Harfe, Schlitten Glocken und Streicher
friedlich, wehend
friedlich, wehend
Wunderschöner und positiver Atmo-Track mit ethnischen Elementen.
Saxofon - hot and dirty, feiner Beat in verrauchter Baratmospähre
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
So meditiert man in Brasilien, fröhlich, verspielt, die Sängerin trällert Lebensfreude pur
A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.
Zwei Klavierthemen stehen einander gegenüber, danach folgt ein bewegter Mittelteil. Eignet sich als Untermalung für eine Collage ebenso wie für die Akzentuierung eines dramatischen Momentes. Nicht zu aufdringlich, aber doch thematisch markant. Im vorliegenden Arrangement für großes Orchester.
Zwei Klavierthemen stehen einander gegenüber, danach folgt ein bewegter Mittelteil. Eignet sich als Untermalung für eine Collage ebenso wie für die Akzentuierung eines dramatischen Momentes. Nicht zu aufdringlich, aber doch thematisch markant. Im vorliegenden Arrangement für Klavier-Solo.
1823 Gemafreie Musiktitel
1970 (GEMA-Repertoire)