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Mysteriöse gemafreie Production Music mit emotionalem Einschlag. Typische Stimmung, wie man sie häufig in aktuellen TV Serien zur Prime-Time hört.
A lone piano line signals the entrance of monster grungey guitar riffs, bludgeoning you mercilessly from the outset. Queen-esque lead lines join in before the chorus blazes into life with powerful and emotive strings overlaying the gargantuan guitars. A powerful and intense brew.
Powerful, primitive, focussed, intense, determined, brutally heavy rock track with an industrial feel. Epic, glorious, passionate, dynamic, dirty & dangerous, with some arabian flavours. Crushingly suited to action / extreme sports / combat / military type projects.
Flirrend mit Elektro-Synths und einen eisigen Winterfeeling, die perfekte Musik zur Begleitung von Wintersport Spots. Energetisch und schnell.
Kraftvolles, antreibendes Feuerwerk aus brasilianischen Rhythmus- und Percussionelementen. Ideal für Intros, Trailer, Präsentationseröffnungen, kreative Schnittfolgen und Werbespots. Let the Games begin!
Der Coup kann beginnen! Dicht auf den Fersen folgt der Geheimagent! Super "Geheimagenten-Stimmung" wie es aus den großen Filmen bekannt ist!
Suspenseful, dramatic, ethereal, epic, spacious, moody, atmospheric cinematic rock track that gradually builds in intensity. Starts with dhol drums & various synths join in as it goes. Exciting, tense, thrilling, rhythmically hypnotic & climactic. Would suit action / thriller / sports / combat / crime type projects.
Lustiger Jazz-Track mit verspieltem Alt-Saxophone und cleaner E-Gitarre. Flink und witzig mit ironischem Mittelteil. Passend als Kindershow-Intro, zu lustiger Werbung oder einem sympathischen Erklärfilm.
Gute-Laune Pop, der zum Tanzen, Lachen, Spaßhaben einlädt. Werbungs-Hit!
A dark and ominous piece with heavy use of the Taiko drum and japanese, chinese Gong. No melody, all percussion. Martial Arts, Japanese triads, dark, foreboding, military, historical, impending battle. Chase scene, etc.
Africana pop. Bouncy African style with jangly guitars, percussion and horn stabs.
Ritter bereiten sich auf die große Schlacht vor, mit dem Wissen, dass es ihre letzte sein kann.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.
progressiv, zuversichtlich